Old train station inside of house Old train station inside of house Old train station inside of house This abrupt change mocked his own primly preached code that a person must not only flow with the Afro-mojo Force and be on the Light Side of Good and the Truth, but must have the Law and the police Force with them in order to succeed in life and film art. A code held so dear by Lord Stinkious prior to July 23, 1982 that he had avoided graphic language, sex and violence in his film art, and had hid his role as producer of Lawrence Kasdan’s first duplicitous, murderous and sensual film, BODY HEAT (1981), under the pseudonym of Fred Gallo in order to not be linked to murderous duplicity at the height of the popularity of the Classic Trilogy and himself. Suddenly it seemed that film art, Good, Law, Light, the police Force and Truth meant nothing to Lord Stinkious when it came to protecting three friends and helping them flee to England to allow them to avoid talking to investigators and even testifying at the TZ trial in order to prevent the truth from being revealed about the TZ disaster-and possibly even to cover up three possible film set murders. It also suddenly seemed that the cameos of Oz in AN AMERICAN WEREWOLF IN LONDON and THE BLUES BROTHERS that linked Lord Stinkious to Landis were no idle omens, and that Lord Stinkious was now as firmly caught in the same twilit web as Folsey, Landis, Kennedy, Marshall and Palpaberg.
Natürlich bedienen sich Feldstein und Gaines tüchtig bei filmischen und literarischen Vorlagen . Zu erwähnen ist ein Sonderfall: Nachdem Al und Bill aus zwei Kurzgeschichten des US-Schriftstellers Ray Bradbury eine neue Science Fiction-Story („Home To Stay“) konstruiert haben, flattert in der Redaktion ein Brief von Bradbury persönlich auf den Tisch. Man habe wohl vergessen, ihm seine Tantiemen zu überweisen. EC reagiert geistesgegenwärtig, fragt den Autor, ob man nicht in Zukunft noch mehr von seinen Geschichten verarbeiten dürfe – und proklamiert dreist eine (ab dann tatsächliche) Zusammenarbeit mit Bradbury. Über zwei Dutzend solcher Comics („Adapted from a story by Ray Bradbury“) zieren anschließend die Hefte von EC.
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