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You won’t be cheering after learning that the hip hip (or hep hep ) of this celebratory phrase was once shouted by German Anti-Semites.
For thousands of years, the concept of hysteria was used to shame and subordinate women. In the 1800s a French doctor used his “research” on hysteria as a way to bring audiences to his lab to watch scantily clad women writhe and moan in orgasmic fits.
When he was in his early 40s, Saki began to throw off some of the languor and ennui with which he had invested so many of his scenes and characters, and became extremely exercised about the empire that he had quite often lampooned. Perhaps as a result of his experiences in Russia and the Balkans as a correspondent for a High Tory newspaper, he emitted grave warnings about an imminent German invasion and even wrote an alarmist novel— When William Came —about how British life might feel under the Prussian heel of Kaiser Wilhelm. Its pages treat almost exclusively the outrage and dispossession that might be experienced by the humiliated gentry. (I can think of only one Saki tale that takes the side of egalitarianism or that views society from the perspective of the gutter rather than the balcony or the verandah, and that is the lovely and vindictive Morlvera , in which a couple of proletarian children witness a delicious piece of malice and spite being inflicted on a grown-up by a hideous youngster of the upper crust.)
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